The City on the Edge of Forever: TOS Episode 28 Production 28 Original Air Date 4/6/1967 Stardate 3134.0

The City on the Edge of Forever - Star Trek TV Episode [ Synopsis | Editorial Reviews ]
Production # 27 Episode # 28
Air Date: 4/6/1967
Stardate: 3134.0

While orbiting what should be a dead planet, the U.S.S. Enterprise experiences a moment of "nonexistence." Starfleet Command fears an enemy invasion and orders Kirk to find out what caused the stellar system disturbance.

On the planet below, Kirk finds a man called Lazarus, who tells Kirk that the effect was caused by his enemy. Lazarus has been chasing him with the aid of a time/space craft and wants the Enterprise's dilithium crystals to continue his search. The captain refuses.

When Kirk takes Lazarus aboard the U.S.S. Enterprise, it becomes apparent that there is something strange about their visitor. He has incredible mood swings, one minute sane and rational, the next exhibiting violent rage. He also has a bloody head wound that disappears, then reappears moments later.

Lazarus manages to steal the ship's dilithium and return to the planet. Kirk follows and discovers that Lazarus is two people - one sane and one a madman, with one from an anti-matter universe. The sane Lazarus informs Kirk that the beings can only appear in either universe one at a time. Should both men be in the same place at the same time, both universes would be destroyed. Kirk helps the sane Lazarus trap his counterpart in an intermediate time corridor where they can hurt neither the matter nor anti-matter universe, but where the two will be trapped in fight until the end of time.

Volume 10 of Paramount's DVD series of original Star Trek episodes includes "Arena," based on a script by Trek producer Gene L. Coon, the other indispensable figure (besides Gene Roddenberry) in making Star Trek what it was. After writing what he believed was an original teleplay about a one-on-one battle between Captain Kirk (William Shatner) and the reptilian commander of an enemy vessel, Coon realized he had probably been subconsciously inspired by a similar short story written by Fredric Brown (who was promptly credited and paid). The concept of a human-and-alien duel to the death in primitive terrain, however, was slightly ubiquitous in the 1960s (see "Fun and Games," a masterpiece from the original The Outer Limits TV show), and was revisited in the '80s via the Arnold Schwarzenegger feature, Predator. But under Coon's guidance and direction by Joseph Pevney, "Arena" stands on its own as a particularly strong story of what battle does to one's humanity. Shatner is in great form for this one.

Also in this volume is a minor episode, "The City on the Edge of Forever," in which Kirk encounters two versions of a fellow named Lazarus (Robert Brown), one from our own dimension and the other from an antimatter cosmos. The latter Lazarus intends to create an opening between worlds, potentially causing an intergalactic Armageddon. Though directed by Gerd Oswald, an interesting feature filmmaker from Hollywood, "The City on the Edge of Forever" has to work a little too hard to make its point. Still, it isn't boring, and the theme certainly fits that long-standing Star Trek obsession with dualities. --Tom Keogh